The Phantom of the Opera has music by Lloyd Webber, lyrics by Charles Hart (with additional lyrics by Richard Stilgoe), and a book by Stilgoe and Lloyd Webber. The complete Phantom orchestra-Broadway’s largest-also returns, under the continued musical supervision of David Caddick with the musical’s original orchestrations. Watch Broadway's The Phantom of the Opera Perform on the Red Steps in Times Square Schaefer, Carly Blake Sebouhian, Jeremy Stolle, Carrington Vilmont, Jim Weitzer, Elizabeth Welch, and Erica Wong. The ensemble includes Giselle Alvarez, Polly Baird, Janinah Burnett, Xiaoxiao Cao, David Michael Garry, Chris Georgetti, Kelly Jeanne Grant, Katharine Heaton, Satomi Hofmann, Ted Keegan, Kfir, Kelly Loughran, Scott Mikita, Greg Mills, Justin Peck, Patricia Phillips, Richard Poole, Jessica Radetsky, Lindsay Roberts, Janet Saia, Paul A. Kouatchou is the first Black actor to play the role of Christine in the Broadway production. Sara Esty joins the company as Meg Giry.Īlso joining the production in her Broadway debut is Emilie Kouatchou, who plays the role of Christine Daaé at certain performances. "The Lion King" is next, having begun performances in 1997.Returning to lead the cast will be Ben Crawford as The Phantom, Meghan Picerno as Christine Daaé, and John Riddle as Raoul, with Bradley Dean as Monsieur André, Craig Bennett as Monsieur Firmin, Raquel Suarez Groen as Carlotta Giudicelli, Maree Johnson as Madame Giry, and Carlton Moe as Ubaldo Piangi. The closing of "Phantom" would mean the longest still-running show crown would go to "Chicago," which started in 1996. Andrew Lloyd Webber's lavish songs include "Masquerade," ″Angel of Music," ″All I Ask of You" and "The Music of the Night." "Phantom" tells the story of a deformed composer who haunts the Paris Opera House and falls madly in love with an innocent young soprano, Christine. Last week, it hit $867,997 - and producers may have seen the writing on the wall.
Box office grosses have fluctuated since the show reopened after the pandemic - going as high as over $1 million a week but also dropping to around $850,000. It has been a costly musical to sustain, with elaborate sets and costumes as well as a large cast and orchestra.
One reviewer in the New York Times called it, "psychologically lightweight." Still, not all the critics took to it kindly. When the show first opened in New York in 1988, it had already been a hit for two years in London.
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